Archive for category Reviews

Avatar arrives

AvatarMoviePosterSo Deb and I don’t go to theaters any more, we wait for the Bluray. Today was the big day that Avatar arrived, and instead of chess night, we had a movie night (usual suspects.) Brian, Evan, Deb and myself settled in after a nice dinner to see what all the fuss was about.

If anything, I think the movie was under-rated. What a feast for the eyes, and what fun, too. I was able to ignore the silly native-American and global-warming themes and just dig on the whole sci-fi-ness of it; the only thing that sorta bugged me was the musical portion of the sound track, which I can only describe as the Lion King on crack. But the rest was so good that mostly, I just ignored the silly drumming and the crazed new-age sing-a-longs. Which, thankfully, didn’t make up a large part of the movie.

There was quite a bit of other eye candy of numerous kinds — the biota of the world, the corporate headquarters virtual mapping system, the blue folk themselves… really a tour de force. I am so glad we bought the hi-def Blueray; it looks bleeding awesome on our 1080p home theater.

I really loved the ‘Mechs, larger-than-human armed and armored exoskeletons that remind me of baby MechWarrior or MechAssault ‘Mechs from the video and table games. I have a pretty good collection of Mechs (about 2…3 inches high, from the table game) and it tickled me to see things like them handled so well in a movie — definitely for the first time.

There have been some rumblings about DRM incompatibility with el-cheapo and/or poorly supported Bluray players out there; I’ll repeat the advice I give everyone about Bluray players: You want a Sony PS3. You don’t want anything else. Period. There is no doubt, no decent competition, no comparable bang-for-the-buck. The PS3 is it. And the PS3 will play the Avatar Blueray without any problems whatsoever.

Anyway, just thought I’d throw this out there. Great movie. On the (very) off chance you haven’t seen it, you should. This one goes to eleven.

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The iPad – Not perfect. Here’s why.

In and amongst the fevered pro-iPad ravings today, I thought I’d throw a bit of a wrench in the works, as I’m not of the opinion that the thing is all it could have been. Mind you, I’m definitely pro-iPad, I think it’s a great device, I just think it could have been a lot better.

With that in mind, here are some things I really think can be done better:
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Google Base

Recently, I’ve had an opportunity to help a friend utilize Google Base.

I searched for Traxxas Slash; these are web results (and an ad.) To use Base, I'll click the link I've circled at the top in red.

I searched for Traxxas Slash; these are web results (and an ad.) To use Base, I'll click the link I've circled at the top in red.

Base is Google’s attempt to offer a database listing of as many products as humanly (machinely?) possible, with the objective of getting you to use it to find things, and while doing so, be further exposed to ads from their core business. My friend, feeling that this was a marketing opportunity presently unaddressed, was very interested, and understandably so. Base is what you get when you click the “Shopping” button at the top of a normal Google search page.

I agreed to write the code necessary to create the file that packages his inventory (over 30,000 items) for Base, do the uploading, and generally handle the process for him. What could go wrong? It’s Google, right? A company with enormous respect from the technical community, a huge web presence, and a mantra of “do no wrong.” Well. That’s what makes this worth writing about.

I didn’t think it would take a lot of time to implement as I wrote his entire e-commerce system for him and was familiar with the lay of the land, as it were, and in that, at least, I was right. Base is very easy to integrate with; using Python, it only took me a few hours to be able to generate the required data file to Google’s specifications. Uploading the resulting data file to Google is trivial. But… unfortunately, Base has many problems that go far beyond just uploading a correct data file to the system.
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Review: 4 Port 250 Mhz VGA Splitter

splitter I purchased this VGA Splitterto drive multiple monitors from the VGA output of a 16-channel security DVR. It’s a small, flat black box with all connections on the rear, nothing on the front but a single red LED indicating it is powered up.

At this point, I’ve set it up with two monitors on outputs one and two, each on a 100 foot standard VGA cable. Fidelity is good; no hum or other interference is visible, and the resulting display is very sharp. However, my application is not as demanding in terms of sharpness as normal computer output is; I’m only using 640×400 resolution. Other reviews agree that output is sharp for computer use, and the claim in the marketing materials is that it is good up to 1920 horizontally. Odds are excellent that it will provide a sharp display in your application, but again, I can’t vouch for that, only for what I have seen.
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Review: Canon EF 100mm f/2.8 Macro Lens

100mm Generally speaking, the Canon EF 100mmis a great lens. The bokeh is fine. The lens is pretty fast. f/2.8 to f/22 is useful as a creative range. The optics are sharp and the all-time focusing is a boon. So what’s not to like? Well, here’s the thing. The Canon EOS50D, which I use, has the ability to use the viewfinder in “live preview” mode, and when doing so, will allow you to zoom in on your focus point (or anywhere else, but that’s irrelevant to my point here) such that you can see extremely fine detail. At which point you can manually focus the lens so that it is exactly right. Marvelous, right?

It would be. But the lens has some mechanical backlash problems. Let me explain backlash; if you’re not familiar with it, it takes a bit of describing.
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Review: Phoenix 500mm Catadioptric Lens

phoenix500 The Phoenix 500mmis a catadioptric lens. That means that it is very similar to a reflex, or mirror, telescope, and that it mixes mirror elements with refractive elements. The light comes in the front of the lens, goes right to the back of the lens, where it hits a large (full lens circumference) concave mirror, which then focuses all that light more tightly back in the direction it came. In the middle of the business end of the lens is another mirror, which then sends the light down the center of the lens back toward the camera, where standard refractive optical elements further magnify and focus the incoming light prior to hitting the film or sensor. A lens of this type is not only similar to a reflector telescope, it can actually perform as one, and you can find eyepiece attachments for just that purpose.

One of the significant benefits of a catadioptric lens is that you get less chromatic aberration, and so with subjects like the moon, which you expect to be grey, you actually get a grey image. With a standard refractor telephoto, you’re quite likely to get colored fringes on sharp bright/dark boundaries – this is an area where reflectors can and do excel, and this lens is no exception.
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Review: Monster MP PRO 3500

mp3500
My A/V system has a fair amount of stuff. There’s what I call the current generation set of gear… There’s a Sony STR-DA5300ES receiver, a separate 750 watt power amp for my sub, a PS3/Blueray, an XBox360/HD-DVD, a conventional progressive scan DVD player, a Wii, a DBS/DVR, a Mac Mini and a CD/MD player. Then there is what I call the last generation set of gear, an XBox, a PS2, and a Gamecube. There are several wall warts for things like rechargeable Wii controllers, an XBox 360 wheel, a network switch, a power supply for the dish multiplexer and so on. All of this feeds an Optoma 1080p projector which has its own UPS that also runs the Mac Mini (you really don’t want a projector to suddenly lose power… the fan stops and the bulb immediately overheats, losing lifespan or even dying right there on the spot; and of course you don’t want power to a computer failing, ever.)

The wiring for all this stuff is… formidable. Prior to getting the Monster unit, there were multiple power strips and cables just everywhere. So the first thing I got out of the MP PRO 3500was increased organization and lessened clutter. I still needed a couple of power strips, partially because wall warts take up so much room, and partially because there are just so many units, but trust me, it is a lot better than it was.
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Review: Canon EF 85mm ƒ/1.2L II USM Lens

85mmL

The Canon EF 85mm f1.2L II USM Lensis a very heavy (1025 grams or 2.25 lbs), very well built lens. It comes packaged with the appropriate hood, the Canon ES-7911. You get both a lens cap and a mount cap, all packed inside tight conformal foam to protect the lens during shipping. There’s also a very brief manual and the usual warranty paperwork.

The 85mm specification is for a full-frame camera; with an APS-C size sensor like the one in my EOS 50D, this is multiplied by 1.6 to an effective 136mm.

The lens offers AF and manual focus. However, the manual focus is electronically driven from the focus ring to the AF motor system, which has several consequences. First, you can’t focus when the camera is off. Second, the rate of focus is limited by the speed of the focus motor. Third, focus adjustments are extremely precise, essentially free of backlash and drift. The first two issues are negatives, but in my view, they are more than outweighed by the third. For instance, I often take images of the night sky; in order to do this, the lens can be AF-focused on something in the sky (I’ve been using Mars recently for this), and then it can be put into manual focus where the focus will remain correct and constant as long as the camera and lens temperatures do not change significantly. This is the only lens I own that has stable enough focus hardware to be able to do this. The focus ring is broad and well-textured, and a pleasure to use. There is a second textured area on the lens barrel, closer to the camera, that you can mistake for the focus ring – this area is meant to assist you in mounting and unmounting the lens. I’ve learned to avoid it. Manual focus is precise and moving the ring results in a fine enough focus change that when you blow a shot, you can be absolutely certain the lens wasn’t to blame.
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